New creative term, new creative year

Ah, January, when we book -- or dream of -- holidays. But you are instead jumping into the next creative writing term. What a great excuse for looking through your postcards -- you do succumb to postcard temptation, don't you?

Travel Postcards, Surreal Postcards, Mythical, Animal... images are fantastic (I used that word purposely) stimulus. I have just put on the Matrix book website the how-to for using postcards/pictures in class exercises. It's a sneak-peek and free-for-you sampling with 4 subject categories and 3 methods with which to charm, bedazzle and encourage your students.

Treat your writers to a postcard exercise once a month -- that'll help you get through the term. The book, Creative Writing: the Matrix, has other tips on planning and running a course. Right here, this blog offers further exercises and support. See the post of 4 July 2011 where I listed particularly practical Labels like Exercises, Lesson Planning, Start of Term... or just go right to Labels and dip in.

I am now in re-revise stage of the epic docu-novel that is the story of the life of my great grand-father Ephraim M Epstein. It takes him from Belarus to Dakota Territory to the hills of West Virginia, through two marriages, ten children, careers as a missionary, a doctor, a university founder, a journalist, and back and forth between Judaism and Christianity. Because of this last my original title was Testing the Gods, but a recent discovery triggered a change of title to The Notorious Dr Epstein. Exciting! Last minute! Will it ever end? I am building a blog for him/it... but as all true writers know, I must first and foremost dedicate myself to finishing the book.

Still have some room to coach-buddy writers and creative writing tutors -- see column right. Meanwhile, treat yourself to an Artist's Date (thank you, Julia Cameron). Go out to a gallery or museum exhibition, then to its shop and indulge yourself in postcards that evoke a response in you.

Back to school -- creatively

So you are planning your creative writing course, or wondering what exercise to start with. You're experienced, confident... but would like some more ideas please. Or you are brand new and feeling panicky. There are 112 entries in this blog, archived, from my frontline teaching experience. They are an adjunct to my book, which has 95 exercises and 21 mini-lectures (see outline and a free sample on the the book's website).

But right here in this blog, see the 4th July 2011 post where I've listed Labels under various useful topics. Like... Exercises, Lesson Planning, Start of Term etc etc.

As for me, I have finished the epic that is Testing the Gods, The Story of the Life of Ephraim M Epstein. An epic in fact through the second half of the 19th c and taking us (and him, my great-grandfather) from Russia to the American Wild West. And epic in the writing -- years of my life! Now in final corrections and then... agent and/or self-publication.

I continue to coach-buddy writers and creative writing tutors; see column right.

And for you: enjoy your teaching!

Planning your course

There are 112 entries in this teaching creative writing blog and I am currently on a break. But do not despair! All the entries are in the archive -- especially see the 4th July 2011 blogpost which lists Labels to find practical, useful stuff. Or just go direct to the Labels, such as CREATIVE PROCESS, CRITIC WITHIN, DIFFICULT STUDENTS, ENDINGS, EXERCISES (24 entries!), FIRST CLASS, LESSON PLANNING (6 entries), START OF TERM, WORKSHOPPING etc etc.

Meanwhile I am 90,000 words into my great grandfather's dramatic life, Testing the Gods, which has turned into an epic sweeping through continents and history, and I am finally in the last section.

My new venture: coaching writers and creative writing tutors. See sidebar.

Tips, exercises & ideas

This is the 112th entry in the teaching creative writing blog and I'm going to take a break.

But do not despair if you have just found your way here, or indeed if you are a regular. At the bottom of this blog you will see Labels, lots of them, so you can find all sorts of tips, exercises and ideas -- three and a half years' worth!

It's a very long list, so here is a shorter list of the likeliest Labels to find Really Useful Goodies.

Assessment, Assessment Criteria
Creative Process, Creative Writing
Critic Within
Difficult Students
End of Year, Endings
Energy
Exercises (24 entries!)
Feedback
First Class (3)
Homework
How to Critique
Lesson Planning (6)
Pitching a Course (3 -- this is pitching it to an institution, not to students)
Questionnaires
Start of Term, Starting Term, Teacher as Host
Travel Writing
Warming the Class
Workshopping
Writing Residentials

Meanwhile, there's the book, Creative Writing: the Matrix, Exercises & Ideas for Creative Writing Teachers, now in its 2nd printing. Click here to go to my website to explore and order direct from me. Each term there's an exercise and teaching tip. The book's on Amazon too (click here), but costs you more.

So what will I be doing? Getting on with Testing the Gods, the story of my great-grandfather's life, now 60,000 words in. And I want to write a companion to the Matrix, exercises and ideas for teaching creative non-fiction (travel writing, articles, memoire...) -- interested?

Emails will still come through to me; if anything exciting or extra-creativewritingteaching-puzzling arises for you, talk to me!

Creative Writing & technology: the verdict

End of course and I asked my class to comment specifically on the use of PowerPoint, having told them this was the first time I'd incorporated it into the course. As well, of course, as my usual feedback queries:

- How have you journeyed as a writer on this course?
- What has been most useful? Least useful?

Well, this ol dog has learned the new PowerPoint trick. First, it improved my focus in prepping and delivering (see blog entry of 24 May). Second, here's the verdict from students. Out of 7 responses:

3 positively liked:
'I like having a visual focus so PowerPoint helps me.'
'Good, helped with focussing'
'Seemed to work well.'


2 neutral:
'OK, not necessarily needed.'
'Fine, but not essential.'


2 said nothing, too busy with their journey and other comments.


So, I'm converted. And actually, it's kinda fun.

Weird teaching moments

All my years of teaching creative writing and I have never bumped into this before... how to respond when a student submits, in effect, a dirty joke?

I was flummoxed and weirded out when I read it. The student is middle-aged, pleasant, well-meaning, innocent or even naive, a beginner at creative writing. From a tough blokish lad affecting cynicism I'd have been annoyed and angry, but not surprised. This left me perplexed and annoyed.

Had to ask myself -- am I just being a prude? It's a silly and fairly good 'dirty joke' -- so why do I feel sullied? I dunno -- I am surprised and insulted. Or maybe challenged (is someone testing or joking me? Oh no, I'm paranoid too!) It's not what I expect from any student and especially not from this one. It's simply totally out of context.

I just have to assume it is a matter of naivety. So, what did I do next? Treat it carefully and solemnly. I emailed (in reponse to the student's suggestion it could be read out in class and get feedback) to say we would not do this for two reasons:

Genre: the class is for prose fiction and non-fiction, and this piece is (self-described by student) comedy-drama. It is a joke, which is a different genre. I suggested trying a comedy writing course.

Content: the content is not appropriate in the context of this class. (This made me stop and weigh up -- why not?) In part, it's to do with genre. Writing in this (or any other) creative writing class may include strong language, references to sex and body parts and marital squabbling, but these would be set up in prose story-telling mode with more depth and meaning to the situation than given in this piece.

So that was to explain in advance, and then I did handwritten feedback with the work, as normal creative writing critique/feedback, based on the content and context of the course. Here I pointed out that the 'story' had two or possibly three elements but did not contain other key archetypal components. Testing this piece of writing against our Hero's Journey storytelling genre demonstrated that this piece was an entirely different genre, successful in its own terms as an entertaining joke.

By treating it in a respectful manner I thus managed to praise as well as criticise. Perhaps the student just meant it as a light-hearted tale... perhaps in analysing it closely for its archetypal quest elements I am a dry old academic... perhaps I am a po-faced prude!

Creative writing & technology -- effects?

In for a penny, in for a pound. Having woven in some Interactive White Board (IWB) [see 23/02/11 blog] for this term's run of Hero's Journey/Writer's Journey I am having a go at PowerPoint.

Here's the question for you: what effect does I.T. have on teaching creative writing?

Now, I ask you, doesn't your heart leap with joy at the word PowerPoint? Not. We have all been to talks/presentations using it, and well know that it's still the talk, the content that matters. However, as we HAVE all been to presentations using it, it's now regarded as standard professionalism. And, actually, our college's classroom technology is now v up-to-date -- ceiling-mounted IT projector, remote control, light pen (for the IWB, not PwrPt), so it's pretty whizzy. And, dear reader, I've done it.

Good effect: in prepping, and determining to do very few slides and to keep the lecture short, I found PwrPt helpful. Looking over my notes and the handout I boiled down to about 2 or 3 main points... just to pop them up there on the screen on hold while I talked. Doing it really focussed my thinking and -- I hope -- my talking. Then on to the writing exercises ASAP.

Not so good effect: by second session I had a couple of rather anxious queries from students saying that their stories did not have, say, a Mentor, or a Threshold (or other of the archetypal elements).

Whoah! For one thing, we hadn't yet covered these, except in the brief overview I gave in the intro about the course. For another, I had said at least twice that there is no such thing as a 'map' or 'writing by numbers' and that these archetypal elements are merely aids or tools.

So, does seeing things projected in B&W make students think in B&W -- that is, does it interfere with creative freedom? Does it inhibit creative writing?

Next session I talked up creative freedom loud & clear. Also brought in a short story, Rosendo's Tale, by Jorge Luis Borges. It's a fine little story, not great, but certainly satisfactory, and has a number of archetypal elements -- not all, and not 'in order'. We discussed and will continue to refer to it -- creative freedom, I hope, illustrated in this use of heroic quest archetypes.

I've told my students that use of PwrPt in this course is new, and so is use of a 'text', and will be asking them for feedback.

Use of the story raises another question for us tutors of creative writing -- does lit-crit help or hinder creative writing in a class?

Next class session: IWB again. Next I.T. challenge for me: moodle?? Experiences, opinions, anyone?