Sense-ual writing

Super to hear from Helen who had a great buzz in her class through using the 8 senses (see my blogs labelled senses) and pictures. Then -- O Creative One -- she went on to focus on senses and poetry, and she suggests an excellent source for poetry workshops. 'All the work's done for you, if you pick a good one!' she says. It is on the Guardian website, and the one she used was by Matthew Francis... I checked it out, YES! Here is the link http://www.guardian.co.uk/books/2008/apr/14/poetry

So thank you Helen and thank you Matthew. If anyone else out there has useful, relevant resources to recommend and creative teaching variations to share let me know and I'll blog it -- one big happy creative mix.

Last pub-gather of my academic year this week; I have sent a reminder to all of my Hero's Journey/Writer's Journey writers. It is fun and rewarding to introduce the new batch to the previous 'graduates' and see this group of local writers build and encourage each other. I don't go every month (got my own bunches of writers to build and encourage me) but I do like to keep in touch.

Remember to encourage all your writers to enter competitions -- the Bridport deadline is in June... must be loads of others too. Make it an assignment: they all have to look up comps and bring them in to share -- online, in libraries, in the Poetry Library, in writing magazines. Like I said, one big happy creative mix.

A travel writing class... the 3 further senses exercise

Continuing the Writing with the 8 Senses exercise begun in the last blog entry... After sight, sound, taste, smell, touch are the 3 I have invented or discovered along the way. In any writing, including travel writing, conveying these senses can make the experience all the more vivid.

As described previously, after explaining and giving a few examples of each sense I allow a minute or so for the students to think back to their chosen travel destination experience and jot a few memories of this sense. Then I move on to introduce the next sense. This 'turns over the soil' as it were, of the experience. I reassure them that they won't use all of these recollections, but the exercise stirs the memory of the experience to keep it at hand.

Kinetic -- By this I mean body position: awkward, comfy, stretched, cramped, turned, straight... Jot some memories of your travels, for instance:

• crouching in a corner of the pickup truck with the other hikers' back-packs pressing into your spine; spreadeagled, luxuriating in the acreage of a king sized bed...

Inner/Visceral -- Similar to both touch and kinetic, but interior sensing in body organs, gut reactions: churning stomach, tight throat, full bladder, scratchy eyes, prickling scalp, gooseflesh, genitals responding (or not). Recall:

• the leaden weight of the crepes I shouldn't have eaten on Brighton Pier; the release of the band of tension in my thighs as the shiatsu-master's thumbs got to work

Time -- This is a bit ephemeral, but I mean awareness of differences in a place and experience to do with night/day, evening; light, shadow. Also, time creeps, time whizzes...

• Think of Monet's series of Rouen Cathedral paintings -- stone precise and beige, rosy pink and blurred, blue and yellow... how it changes through the day. Also -- the forever when you are waiting for the wine and moules to appear, the blink of time in which the bowl fills up with empty black mussel shells.

Now... now can they write?? No! One more exercise, one of my absolute favourites, #1 in my Writer's Toolkit, page 19 in the book: Bubble Chart. As it says there, and as with 8 Senses it can stand alone as an exercise, but for this class I used the students' chosen travel writing subject as the central focus. Many people know of and use this 'spider chart' method, but a surprising number don't know it. The magic is that it can stimulate ideas and directions, or if one has too many of those it can help to corral and organise them.

In this case I explained that they all now had lots of rich sense descriptions ready, but a travel article needs narrative, too. So focus here on events, anecdotes, things that happened.

I demonstrated on the white board, using Varanasi -- in a circle in the middle of the board. And then (sorry blog-readers, my e-skills aren't up to reproducing this here), dashing out all around this word, splashed down everything I could think of that I experienced --

• exhilarating threading through the crowds down to the Ganges, the placid brown cow crossing the road amidst mad traffic, the seat above the crowd as evening came on, the bells, fire and smoke of the priests, the 4 am wakeup, my puja offering -- sank, 2nd offering, marigolds, rose petals, rubbish in the Ganges, the families dipping in, the little boy being dried down by his parents, the old man swimming off, the sun finally rising, my blessing...

Well, actually I didn't put that much on the board, I've just indulged myself here. It's their class. And this basic creative writing exercise was the final stir before I said... Now choose one of the events or experiences and write a sentence or two or a paragrph to begin to describe it...

...and that's the beginning of your article. It was now about 10.30 (class started at 9.30), so I said they could continue to write, or go for a break and come back to write... and we'd write until 11.10, and then read out, if they wished. Or talk about the experience.

Lo and behold, only 3 or 4 (out of 13) students went for a break right away. Over 15 minutes some popped out and came back. Then all continued writing. And at the appointed hour 11 students read out -- some excellent pieces, two of them I would deem ready to submit for publication, many others vivid and colourful... and all were very well pleased with themselves.

And so, the travel writing class ended. There's more I could have said and done -- I have taught travel writing as a 5 week course; also as a 4 week insert in a year-long professional writing and creative writing courses. But for a substitute class, I was well pleased too!

Mentioned earlier, but here at last is the link to my friend Cathy Smith's website with details of her travel writing book http://www.travelarticles.co.uk/info/info.htm#book

A travel writing class... and then the 8 senses exercise

We are about half an hour into the 2 hour class (see previous two blog entries), warmed, travel writing ideas in our heads, informed a little about styles and approaches to travel articles. Now at last the class is closer to actual writing.

But I hold them back just a wee bit longer to, as I explained to a query, stir things, loosen the soil. (The doubting or untrusting student; there's usually one in every class.) Besides helping to remain loose and freely creative, this exercise cum lecture could even be seen as adding compost. It is my Writing with the 8 Senses excercise/lecture -- it is in my Creative Writing: the Matrix book and I use it with every new group I meet, the senses being essential to vivid, rich writing.

But this time, for the first time, I wove it right into the travel writing at hand. The exercise can stand alone (see the book), but now, I did it as staged questions, as I talked through each sense. An 'applied exercise' if you like. And we saw/heard in the travel article examples how the senses bring a destination and experience alive.

The first instruction is to chose one travel place from the list earlier (see blog of 15 Feb) that you want to write about today... choose it by gut feel, it doesn't matter which, just the one that calls to you most right now.

And here we go through the senses, the 5 usual ones and 3 I have invented, or rather, discovered. I sometimes invite the class to call out a sense as we go along to cover the usual 5.

Sight -- With your travel place in mind, jot down some of the sights that come to you. Not just general pictures, but specifics, if you can, and not forgetting colours, corners, shapes, textures, flaws, visual rhythms, like

• the series of creamy arches at the villa, the operatically flaking stucco of a building in Venice, the missing chinks of pointing in a brick wall...

I give them a minute or two to do this jotting, and then move on to the next sense. I allow this time after each sense (but won't repeat that for you here in this blog).

Sound -- Jot down the sounds of the place. Not just the memorable

• call of the muzzein, ringing of bells, plashing of fountain... but also see if you can recall other small or background sounds: children's laughter from out of sight, draft of lager filling up, drone of plane overhead...

Taste -- Food's always good for evoking the here-&-now, what tastes did you encounter in this place? Jot some down, and remember the temperature and feel of food in the mouth as well as taste. And try to capture a taste new to you (and readers)...

• it was like thin, moist, eggy bread pudding, with a clear amber-brown syrup tasting half-way to brown sugar and the rest of the way to Vermont. (Trying to do American Challah French Toast with maple syrup, from my trip to New York City last week.)

Smell -- Like taste, recall some smells of the place both familiar and unknown and indescribable. Like my taste sample above, you may have to try new combinations of the familiar to convey a new experience. Also -- don't forget the negatives...

• the whiff of sewage, the iron tang of the water, the cellar's mustiness

Touch -- Now, remember some of the physical feelings of the travel and place. Not only hot/cold, rough/smooth but things that touch you (breeze, raindrops, rim of a glass) and things you touch (yak's coat, palm trunk, kelim rug)

Okay, guess what -- I'm going to leave you at a cliff-edge for the three 'invented' senses. Wot a meanie I am. But this blog entry is long enough, and I am on deadline as editor of the British Haiku Society newsletter. So tune in next week!

A little note re Comments -- nice to feel read and appreciated. A couple of emails, too, saying how useful the blog is -- keep 'em coming, share the experience! However, I still won't publish the oriental comments I'm getting because I don't know what they say. Also, I had to remove a nice comment that had its own link attached promoting another education-related website -- sorry, no can do. I will only put links in my blog to sites I have looked at and deemed appropriate to the subject of teaching creative writing, or sometimes of writing itself, but they have to be spot on-target, relevant and vetted by me.

A travel writing class... continued

There we are, 25 minutes into the two hours, we're underway in this substitute creative writing class with travel writing the subject (see last week's blog). Students now have ideas buzzing round in their heads and I feel well comfortable and focussed. Time for the lecture part, and here's the gist of it.

OPENINGS & STYLES -- OUTLETS FOR TRAVEL WRITING.
It's important to think about where or to whom you are writing about your travels. Different outlets have different styles, and different lengths, so this affects what and how you might write. For example, I looked at the weekend's newspaper supplements and found these...

... and I read out the openings of 3 or 4 travel articles which were first person, lively, involving. Here is just one example,

When I found myself in a canoe on a huge wilderness lake in Prince Albert National Park, Northern Saskatchewan, sweating and swearing, neck and back stiff with pain, I blamed Richard Attenborough. I never would have known about Grey Owl if he had not resurrected one of his
childhood heroes and made a film about him. (Actually this is an article of a few years ago, by my friend Cathy Smith, whose travel writing how-to book I will talk about later in this blog.)

So you can see that what newspapers and magazines mainly want are a narrative style and the writer's personal experience... the more fun, or amazing, or different or even painful, the better. These pieces are often 800-900 words, sometimes up to 1200... (you need to do a rough count if this will be your target). The length, of course, affects how much of the adventure you can fit in.

Still sticking with the newspapers I moved on to another kind of article opening, the factual. Here is one example of several beginnings I read out:

The Romans invaded Britain in AD 43. It took thousands of soldiers six years to build Hadrian's Wall and the purpose was to mark the boundaries of the great Roman Empire. (Cathy again; walking Hadrian's Wall is the subject of the piece.)

Besides history, geography or mythology, statistics or cultural facts etc can make intriguing openings.

Moving on from print media to cyberspace, I spoke only about one outlet I personally know -- but there must be loads out there: up 2 u to find!! But have a look at Suite 101 http://www.suite101.com/writer_articles.cfm/unclejim which will take you right to Cathy Smith's list of articles... it's a huge site covering lots of subjects and it does pay contributing writers (pennies per click though, you won't get rich this way... )

Point to note with Suite 101 or any online writing is that pieces must be short -- like 350 words. So they tend to be pithy... not so experiential. A bit less fun to write?

Another kind of travel writing is the service piece -- online and in print -- which might be a round-up of ski resorts or city visits or B&Bs in a region etc. Or articles about travelling and the travel business. These are usually written by travel journalists, not worth trying for at this stage.

BUT OF COURSE there is the thought of your own blog! My cousin Lyn in Australia publishes her gorgeous world travel photos and 'journal' in a blog... lots of people do. And here, the personal experience narration will make your blog an involving, exciting -- as well as informative -- read.

So, back to our writing, and my assumption that you want to have fun writing and sharing your travel experience(s), which we will soon be doing. But first we need to take a moment to think about that word experiential, which means thinking about the senses. I am going to take you through a series of questions to loosen up the soil and help you to get WRITING WITH THE 8 SENSES.

ahhh... but this 10 minute marketing lecture is long enough for one blog entry; senses to be continued in 2 weeks, when I return from my travels -- to The Big Apple and to North Yorkshire.